The Female Subject as a surrealist objet: Lee Miller

Authors

DOI:

https://doi.org/10.5281/zenodo.7644129

Keywords:

Surrealism, Artist women, Lee Miller, Man Ray

Abstract

This article proposes a reflection on the surrealist Avant grade, its promising changes and modernization, as far as the female world is concerned.

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Author Biography

  • Díaz Rodríguez, Noemí, University of Oviedo

    Noemi Diaz Rodriguez. (Oviedo, 1996). She has a degree in Art History from the University of Oviedo (Asturias), later a Master's Degree in Advanced Studies in Art History: Research and Management; and, currently, a doctoral candidate within its Doctorate Program in History of Art and Musicology. She completes her training with her studies as a photographer at the Oviedo School of Arts.

References

Carabias Álvaro, M. y García Ramos, F. J. (2014). Los ojos visibles de Juana Biarnés: Historia de un comienzo (1950-1963). Arte y Sociedad. Revista de Investigación, 7, s/p. http://asri.eumed.net/7/juana-biarnes.pdf

Lambron, M. (2001). Lee Miller. El ojo del silencio. Ediciones Circe.

Muñoz-Muñoz, A. M. y Barbaño González-Moreno, M. (2014). La mujer como objeto (modelo) y sujeto (fotógrafa) en la fotografía. Arte, Individuo y Sociedad, 26 (1), 39-54. https://doi.org/10.5209/rev_ARIS.2014.v26.n1.40581

Onfray, S. (2017). Ellas: de modelo a fotógrafa. La mujer como impulsora de nuevas formas retratísticas en los estudios fotográficos madrileños (1860-1880). Área abierta. Revista de comunicación audiovisual y publicitaria, 18 (1), 13-38. https://doi.org/10.5209/ARAB.57039

Torrent, R. (1996). Mujeres e imágenes de mujeres en la vanguardia histórica. Asparkía. Investigació Feminista, (6), 147-162. http://www.e-revistes.uji.es/index.php/asparkia/article/view/1016

Noemi Díaz Portrait

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Published

2021-12-22

Issue

No. 20 (2021): OPENASRI. Miscellaneous Number

Section

Artículos

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How to Cite

The Female Subject as a surrealist objet: Lee Miller. (2021). ASRI. Art and Society. Journal for Research in Arts and Digital Humanities, 20, 25-35. https://doi.org/10.5281/zenodo.7644129