Música punk y crítica social en Indonesia: la polémica de la canción Bayar Bayar Bayar y la respuesta institucional

Autores/as

DOI:

https://doi.org/10.33732/ASRI.6859

Palabras clave:

Música punk, controversia, canción Bayar Bayar Bayar, crítica social, instituciones indonesias

Resumen

La canción Bayar Bayar Bayar de la banda punk Sukatani provocó controversia en Indonesia, mostrando cómo la música punk se ha convertido en una herramienta de crítica social de las políticas económicas y las injusticias estructurales. Este tema es importante dentro del discurso más amplio sobre la censura cultural, la libertad de expresión y el papel de las instituciones en la respuesta a la crítica social a través de la música. Esta investigación tiene como objetivo analizar el significado de la letra de la canción, las reacciones del público y los medios de comunicación y las respuestas institucionales a las mismas. Utilizando un método cualitativo y análisis crítico del discurso, este estudio examina textos mediáticos, grabaciones audiovisuales y entrevistas con académicos. Los resultados del análisis muestran que la música punk sigue siendo una forma de resistencia a la hegemonía estatal, a pesar de enfrentar la censura y el silenciamiento. Por lo tanto, la respuesta represiva a la música con crítica social fortalece el atractivo de la canción como símbolo de resistencia. Este estudio enfatiza la necesidad de políticas culturales más inclusivas, así como un diálogo más abierto entre artistas e instituciones para dar cabida a la libertad de expresión.

Biografía del autor/a

Dedy Afriadi, Institut Seni Budaya Indonesia Aceh

Dr. Dedy Afriadi is an Indonesian lecturer and art practitioner who is active in the academic, curatorial, and visual arts and culture research of Aceh. She completed her postgraduate education at ISI Yogyakarta and doctoral program at ISI Surakarta, and has participated in various conferences and art activities at the national and international levels. He is also known as an Acehnese traditional music player (seurune kale), researcher, as well as facilitator of various academic trainings that focus on scientific publications and strengthening local cultural values in contemporary art discourse.

Benny Andiko, Institut Seni Budaya Indonesia Aceh

Benny Andiko is a lecturer in the Department of Performing Arts, Indonesian Institute of Cultural Arts and Culture Aceh. Completed his S1 education in the Music Arts Study Program and S2 in the Art Creation and Assessment Study Program ISI Padangpanjang. During his academic career, he carried out the Tridharma of Higher Education activities in the development and preservation of traditional arts with the use of technology. In addition, he is also involved in various performing arts events both local, national and international as practitioners, production leaders, stage managers and sound designer.

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31-12-2025

Cómo citar

Afriadi, D., & Andiko, B. (2025). Música punk y crítica social en Indonesia: la polémica de la canción Bayar Bayar Bayar y la respuesta institucional. ASRI. Arte Y Sociedad. Revista De Investigación En Artes Y Humanidad Digitales., (29), e6859. https://doi.org/10.33732/ASRI.6859

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Núm. 29 (2025): OpenASRI. Número Misceláneo

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