Filmic intervention in urban space from the showcase gallery

Authors

DOI:

https://doi.org/10.5281/zenodo.7642310

Keywords:

Video installation, urban intervention, Database cinema, film-essay, audiovisual post-production

Abstract

Based on the video installation Una Petita Pàtria (Damià Jordà, València, 2020), this article presents a format of audiovisual intervention in urban space based on the concept of showcase gallery, that is, an exhibition space whose artwork can be completely visible from the street. A research process based on artistic practice is detailed in which concepts such as database cinema, audiovideo desynchrony, random montage, digital postproduction or self-referential narratives converge.

Author Biography

Damià Jordà Bou, Miguel Hernández of Elche University

Based on the video installation Una Petita Pàtria (Damià Jordà, València, 2020), this article presents a format of audiovisual intervention in urban space based on the concept of showcase gallery, that is, an exhibition space whose artwork can be completely visible from the street. A research process based on artistic practice is detailed in which concepts such as database cinema, audio-video desynchrony, random montage, digital post-production or self-referential narratives converge.

References

Andrés Estellés, V. (1971). La clau que obri tots els panys (1954-1957). Valencia, España: Diputación Provincial de Valencia.

Barone, T. y Eisner, E. (2006) Arts-Based Educational Research. En J. Green, C. Grego y P. Belmore (eds.). Handbook of Complementary Methods in Educational Research. (pp. 95-109). Mahwah, New Jersey: AERA

Borriaud, N. (2004). Post producción. La cultura como escenario: Modos en que el arte reprograma el mundo contemporáneo. Buenos Aires, Argentina: Adriana Hidalgo Editora.

Carrillo Quiroga, P. (2015). La investigación basada en la práctica de las artes y los medios audiovisuales. Revista Mexicana de Investigación Educativa, 20(64), 219-240.

Fernández Almoguera, M. del C., & López López, E. (2017). El significado del sonido en relación con la imagen. Making off. Cuadernos de cine y educación., 131. Recuperado de http://www.centrocp.com/significado-del-sonido-relacion-la-imagen/

Garán, C. (2020, diciembre 11). Hacer patria desde el barrio. Valencia Plaza. Recuperado de https://valenciaplaza.com/hacer-patria-desde-el-barrio

García López, R. (2014). Jonas Mekas: Poética y práctica del cine-diario. Escritura e imagen, 10, 199-212.

Hernández Hernández, F. (2008). La investigación basada en las artes. Propuestas para repensar la investigación en educación. Educatio Siglo XXI, 26, 85-118. Recuperado de https://revistas.um.es/educatio/article/view/46641

Ibáñez, M. (2014, julio 8). Ginestar / Damià Jordà: La problemática ambiental. eldiario.es. Recuperado de https://www.eldiario.es/comunitat-valenciana/culturamakma/ginestar-damia-jorda-problematicaambiental_132_4766792.html

Kinder, M. (2016). Database Narrative. Marsha Kinder Legacies. Recuperado de http://www.marshakinder.com/concepts/o3.html

Manovich, L. (2002). Soft Cinema. ZKM. Recuperado de http://manovich.net/index.php/projects/softcinema

Rotha, P., Kruger, R., & Petrie, D. J. (1999). A Paul Rotha Reader. Exeter, UK: University of Exeter Press.

Rubio Alcover, A. (2006). La postproducción cinematográfica en la era digital: Efectos expresivos y narrativos. Castellón, España: Universitat Jaume I.

Zacarés Pamblanco, A. (2018). Damià Jordà. Aquestes coses que fem avui en dia. En Art Contemporani de la Generalitat Valenciana / Primers Moments (pp. 259-272). Valencia, España: Consorci de Museus de la Comunitat Valenciana.

Downloads

Published

2022-07-31

How to Cite

Jordà Bou, D. . (2022). Filmic intervention in urban space from the showcase gallery. ASRI. Art and Society. Journal for Research in Arts and Digital Humanities, (21), 41–57. https://doi.org/10.5281/zenodo.7642310

Issue

No. 21 (2022): The image enters the scene. Digital creations in the scenic field, urban space and natural space

Section

Artículos

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

You are free to:

Share — copy and redistribute the material in any medium or format.

Adapt — remix, transform, and build on the material for any purpose, including commercial.

Attribution — You must properly acknowledge the authorship, provide a link to the license, and indicate if any changes have been made.

You may do so in any reasonable manner, but not in any way that suggests that you endorse or receive any endorsement by the licensor for your use.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict you from doing what the license allows.