Contrinutions of feminist film theory for the analysis of pornography
DOI:
https://doi.org/10.5281/zenodo.7650801Keywords:
Feminist film theory, psychoanalysis,, self-representation, semiotic modelling,, pornographyAbstract
The present article shows some of the most relevant theoretical axes of feminist film theory from the 70's and 80's are available for the analysis of pornographic cultural production, contextualizing the contemporary social debate also as part of an wider itinerary of thought regarding language, representation and its relationship with the construction of human subjectivity.
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