The Female Subject as a surrealist objet: Lee Miller
DOI:
https://doi.org/10.5281/zenodo.7644129Keywords:
Surrealism, Artist women, Lee Miller, Man RayAbstract
This article proposes a reflection on the surrealist Avant grade, its promising changes and modernization, as far as the female world is concerned.
References
Carabias Álvaro, M. y García Ramos, F. J. (2014). Los ojos visibles de Juana Biarnés: Historia de un comienzo (1950-1963). Arte y Sociedad. Revista de Investigación, 7, s/p. http://asri.eumed.net/7/juana-biarnes.pdf
Lambron, M. (2001). Lee Miller. El ojo del silencio. Ediciones Circe.
Muñoz-Muñoz, A. M. y Barbaño González-Moreno, M. (2014). La mujer como objeto (modelo) y sujeto (fotógrafa) en la fotografía. Arte, Individuo y Sociedad, 26 (1), 39-54. https://doi.org/10.5209/rev_ARIS.2014.v26.n1.40581
Onfray, S. (2017). Ellas: de modelo a fotógrafa. La mujer como impulsora de nuevas formas retratísticas en los estudios fotográficos madrileños (1860-1880). Área abierta. Revista de comunicación audiovisual y publicitaria, 18 (1), 13-38. https://doi.org/10.5209/ARAB.57039
Torrent, R. (1996). Mujeres e imágenes de mujeres en la vanguardia histórica. Asparkía. Investigació Feminista, (6), 147-162. http://www.e-revistes.uji.es/index.php/asparkia/article/view/1016
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
Share — copy and redistribute the material in any medium or format.
Adapt — remix, transform, and build on the material for any purpose, including commercial.
Attribution — You must properly acknowledge the authorship, provide a link to the license, and indicate if any changes have been made.
You may do so in any reasonable manner, but not in any way that suggests that you endorse or receive any endorsement by the licensor for your use.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict you from doing what the license allows.