The Female Subject as a surrealist objet: Lee Miller

Authors

DOI:

https://doi.org/10.5281/zenodo.7644129

Keywords:

Surrealism, Artist women, Lee Miller, Man Ray

Abstract

This article proposes a reflection on the surrealist Avant grade, its promising changes and modernization, as far as the female world is concerned.

Author Biography

Díaz Rodríguez, Noemí, University of Oviedo

Noemi Diaz Rodriguez. (Oviedo, 1996). She has a degree in Art History from the University of Oviedo (Asturias), later a Master's Degree in Advanced Studies in Art History: Research and Management; and, currently, a doctoral candidate within its Doctorate Program in History of Art and Musicology. She completes her training with her studies as a photographer at the Oviedo School of Arts.

References

Carabias Álvaro, M. y García Ramos, F. J. (2014). Los ojos visibles de Juana Biarnés: Historia de un comienzo (1950-1963). Arte y Sociedad. Revista de Investigación, 7, s/p. http://asri.eumed.net/7/juana-biarnes.pdf

Lambron, M. (2001). Lee Miller. El ojo del silencio. Ediciones Circe.

Muñoz-Muñoz, A. M. y Barbaño González-Moreno, M. (2014). La mujer como objeto (modelo) y sujeto (fotógrafa) en la fotografía. Arte, Individuo y Sociedad, 26 (1), 39-54. https://doi.org/10.5209/rev_ARIS.2014.v26.n1.40581

Onfray, S. (2017). Ellas: de modelo a fotógrafa. La mujer como impulsora de nuevas formas retratísticas en los estudios fotográficos madrileños (1860-1880). Área abierta. Revista de comunicación audiovisual y publicitaria, 18 (1), 13-38. https://doi.org/10.5209/ARAB.57039

Torrent, R. (1996). Mujeres e imágenes de mujeres en la vanguardia histórica. Asparkía. Investigació Feminista, (6), 147-162. http://www.e-revistes.uji.es/index.php/asparkia/article/view/1016

Noemi Díaz Portrait

Published

2021-12-22

How to Cite

Díaz Rodriguez, N. (2021). The Female Subject as a surrealist objet: Lee Miller. ASRI. Art and Society. Journal for Research in Arts and Digital Humanities, (20), 25–35. https://doi.org/10.5281/zenodo.7644129