the biennial exhibition format from Art to Studio.

Analysis of the relationships and behaviors of the global network of Art Biennials previous to the Covid-19 Pandemic. (2007-2019)

Authors

DOI:

https://doi.org/10.5281/zenodo.7644757

Keywords:

Art biennials, visual complexity, global contemporaneity, cultural analytics;, Covid-19

Abstract

This article presents the analysis carried out on the relationship networks of the participants of a series of art biennials selected in the last ten years prior to the Covid-19 epidemic.

Author Biography

Labella Martínez, A, Complutense University of Madrid

He has a Doctorate in Art and Humanities from the Complutense University of Madrid and a degree in Art History from the University of Malaga. He has completed the Research Master in Art and Creation at the Faculty of Fine Arts of the Complutense University of Madrid. He develops research on lines of research that address the art system of the Global Contemporaneity applying different research methodologies based on the application of digital tools for the extraction and reading of large data packages. At the Faculty of BBAA of the Complutense University of Madrid he has participated in the Big Data research project. Organizational Aspects (Open Data) and Development of New Creative Capabilities (Visual Cartography, Geolocation and Wareables) and currently participates in the Data Art Research research team. Theories, Methods and Practices (2021) and in the Innova-teaching project 2021-2022 DATA ART. Design and implementation of sustainable BIO-DATA ecosystems in artistic creation and research processes.

References

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Kolb, R., Patel, S. A., Bellini, A., Blättler, A., Caruso, A., Kamba, J., Lan, M., Lee, Y., Moritz, J., Niemojewski, R., Prudnikova, A., Rahim, Q., Somogyi, H., Tsereteliis, W., & Yıldız, M. A. (2018). Draft: Global Biennial Survey 2018. 39, 112.

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Manovich, L. (2020). Cultural Analytics. The MIT Press.

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Patel, S., Sunil Manghani, S., and Robert D’Souza, R. (2018) Extracts from How to Biennale! (The Manual). Oncurating Issue 39. Recuperado 26 de noviembre de 2019, de http://www.on-curating.org/issue-39-reader/introduction.html#.XdzxfehKjIW

Rojas Castro, A. (2013, noviembre 29). El mapa y el territorio. Una aproximación histórico-bibliográfica a la emergencia de las Humanidades Digitales en España. Caracteres. http://revistacaracteres.net/revista/vol2n2noviembre2013/el-mapa-y-el-territorio/

Smith, T. (2016). Biennials: Four Fundamentals, Many Variations. Biennial Foundation. http://www.biennialfoundation.org/2016/12/biennials-four-fundamentals-many-variations/

Tunali, T. (2017). Contemporary Art and the Post- 1989 Art World. Dandelion: Postgraduate Arts Journal and Research Network, 8(1). https://doi.org/10.16995/ddl.357

Antonio Labella Martín

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Published

2021-12-22

How to Cite

Labella Martínez, A. (2021). the biennial exhibition format from Art to Studio. : Analysis of the relationships and behaviors of the global network of Art Biennials previous to the Covid-19 Pandemic. (2007-2019). ASRI. Art and Society. Journal for Research in Arts and Digital Humanities, (20), 95–115. https://doi.org/10.5281/zenodo.7644757

Issue

No. 20 (2021): OPENASRI. Miscellaneous Number

Section

Artículos

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