MOVING IMAGES
DOI:
https://doi.org/10.5281/zenodo.7655811Keywords:
Internet, Ubiquity, Image Flow, Data FlowAbstract
This issue will dedicate its efforts to show a snapshot of all the theoretical and artistic practices that start and take the Internet as a social process of live exchange. A set of practices that use information flows as a form of social architecture, and that are capable of building knowledge from the circulation and collective spill of multiple knowledge.
A principle of online action that ceases to be a means of transmission and becomes a support for thought and raw material for experimentation. If the traditional artist found his source of inspiration in nature, today we must take the internet as a plural space of events where space for representation, time, authorship, content, audience, artificial intelligences, and other manifestations make up a new definition of art.
The flows of the images in networks move us away from the old single-channel learning model that prepared us to be operators (time alienated), and they take us into a new paradigm where we are protagonists of our time.
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
Share — copy and redistribute the material in any medium or format.
Adapt — remix, transform, and build on the material for any purpose, including commercial.
Attribution — You must properly acknowledge the authorship, provide a link to the license, and indicate if any changes have been made.
You may do so in any reasonable manner, but not in any way that suggests that you endorse or receive any endorsement by the licensor for your use.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict you from doing what the license allows.
