MEMORIALS. TRANSMISSION AND IDENTIFICATION IN SPAIN AT THE BEGINNING OF THE XXI CENTURY

Authors

DOI:

https://doi.org/10.5281/zenodo.8184356

Keywords:

Memorial, monument, place of memory, historical memory, post-memory

Abstract

The imminent disappearance of the generation who lived through the civil war and the fear of losing their testimony, has generated new processes of recovery of memory focused on intergenerational transmission. Associations and artists have promoted memorials that, far from constituting immobile landmarks, promote active processes of memory through different strategies. However, their insertion into the public space, where the image of the victim has remained vetoed for decades, has provoked mixed reactions that underline the need to address the study of the recent past. This article analyses these aspects, taking as a starting point six works created during the first years of the XXI century.

Author Biography

Susana Arenillas Juanas, Complutense University of Madrid

The imminent disappearance of the generation who lived through the civil war and the fear of losing their testimony, has generated new processes of recovery of memory focused on intergenerational transmission. Associations and artists have promoted memorials that, far from constituting immobile landmarks, promote active processes of memory through different strategies. However, their insertion into the public space, where the image of the victim has remained vetoed for decades, has provoked mixed reactions that underline the need to address the study of the recent past. This article analyses these aspects, taking as a starting point six works created during the first years of the XXI century.

Susana Arenillas Juanas

Published

2023-07-30

How to Cite

Arenillas Juanas, S. (2023). MEMORIALS. TRANSMISSION AND IDENTIFICATION IN SPAIN AT THE BEGINNING OF THE XXI CENTURY. ASRI. Art and Society. Journal for Research in Arts and Digital Humanities, (23), 84–96. https://doi.org/10.5281/zenodo.8184356