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No. 30 (2026): OpenASRI. Miscelaneous Journal
					View No. 30 (2026): OpenASRI. Miscelaneous Journal

The following miscellaneous issue brings together a collection of contributions that address, from contemporary and interdisciplinary perspectives, the relationships between artistic creation, critical theory, technology, and sociocultural context. Continuing with the journal's editorial line, this volume positions art and new media as a field of knowledge production, capable of articulating analytical discourses and generating new forms of aesthetic experience.

Among the main thematic lines, reflections on the theoretical and aesthetic frameworks of contemporary art stand out, with special attention to the complexity of the processes of signification and the relationship between the material and the symbolic. It also includes approaches to artistic research as a methodology, as well as studies focused on practices linked to the field of sound and experimentation.

This issue also addresses the role of technological mediation, both in the creative processes and in the conservation and analysis of cultural heritage, along with reflections on the transformation of the museum within the framework of critical museology and the impact of digital environments on audience relations. Similarly, it includes contributions in the field of art education and cultural mediation, highlighting the educational potential of creative practices in contemporary contexts.

Overall, this issue offers a concise and multifaceted overview of the main lines of research in digital arts and humanities, emphasizing the interaction between theory, practice, and technology in the contemporary context.

Editors: Miguel Ángel Rego Robles y Andrea de la Rubia Gómez-Moran

Published: 2026-07-31

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ASRI. Art and Society. Journal of Research in Digital Arts and Humanity, is an academic publication coordinated by the research group in Visual Culture and Contemporary Artistic Practices CUVPAC of Rey Juan Carlos University. The main objective is to offer an exchange instrument for research and dissemination of the multiple forms of expression and representation of the material and virtual world we inhabit. A critical thinking platform that is aimed at researchers and artists in art, cultural and visual studies, digital humanities, doctoral and master's students, and enthusiasts of hypermedia culture, internet and communication technologies, information, and visual representation. In order to broaden the discussion and debate of ideas, 4 lines of thought have been created: Poetics of the Image/Visual Studies (Green Collection); Audiovisual Narratives/Cinema (Blue Collection); Architecture/ Design (Orange Collection) and Digital Humanities (Purple Collection).